{"id":84,"date":"2023-09-17T23:00:41","date_gmt":"2023-09-18T06:00:41","guid":{"rendered":"https:\/\/theatrepugetsound.org\/?page_id=84"},"modified":"2025-10-13T11:33:59","modified_gmt":"2025-10-13T18:33:59","slug":"people","status":"publish","type":"page","link":"https:\/\/theatrepugetsound.org\/about\/people\/","title":{"rendered":"Our People"},"content":{"rendered":"\t\t
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Staff<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Crystal Yingling<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Executive Director<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/They<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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View Profile<\/a><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Malia Tippets<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Web & Tech Director<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jasmine Lomax<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Production Manager<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/They<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Emily Huntingford<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Membership & Programs Coordinator<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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View Profile<\/a><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Isabelle Schunk<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Read Bio <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/i><\/span>\n\t\t\t<\/i><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Isabelle Schunk (she\/her) is a recent Seattle University graduate with her BA in Theater. She is a sound designer, board operator, sound engineer, and theater electrician. She is incredibly excited to keep growing within Seattle's theater scene! <\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Sam Tompkins Martin<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sam Tompkins Martin<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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They\/Them<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sam Tompkins Martin (they\/them) is a freelance stagehand and theatrical electrician who thrives in the fast-paced, highly collaborative environments of the live event production world & is passionately committed to helping artists tell their stories. A proud member of the International Alliance of Theatrical Stage Employees, they've worked on live events of all types and sizes, from Broadway national tours & corporate galas and tradeshows, to music festivals, choir performances, and regional theatre. Raised in Richmond, VA and educated in rural Vermont, Sam is a recent transplant to the Puget Sound area from Austin, Texas, where they'd lived since 2020. \r\n<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Alyda Sorm<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Facilities Assistant<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Board of Directors<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\tInterested in joining our accomplished board of directors? Complete this application for consideration. We are currently seeking individuals with a passion for the performing arts and an interest in positively impacting the Puget Sound performing arts community.<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ry Armstrong<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Co-Chair<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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They\/Them<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Read Bio <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/i><\/span>\n\t\t\t<\/i><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Ry Armstrong (they\/them) is an American, trans\/non-binary artist and activist focused on pushing the overton window of our society toward an equitable and sustainable future. Born in Seattle, they began their creative journey at a young age studying with the Northwest Choirs, the 5th Avenue Theatre, and the Seattle Symphony, which resulted in a Grammy Award Nomination for contributions to the children\u2019s album The Shoe Bird. Armstrong continued their academic pursuits at Central Washington University, where they graduated with a Bachelor of Fine Arts in Theatre, and at American University, where they graduated with a Master of Arts in International Relations. When living in New York City, they performed in various productions Off-Broadway and on multiple sets of shows produced by HBO. Upon returning home to Seattle, they ran for Seattle City Council as a progressive Democrat and democratic socialist hoping for radical policy changes in the face of a looming climate crisis. Today, their activist focus is on labor organizing as a SAG-AFTRA Delegate to MLK Labor and on the National Council of Actors\u2019 Equity Association. Their artistic focus continues to be on creative projects dedicated to the pursuit of truth and breaking down the binary of the world around us. ryarmstrong.com \/\/ @ryontheryse<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Janet Hayatshahi<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Co-Chair<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Read Bio <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/i><\/span>\n\t\t\t<\/i><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Janet Hayatshahi is an actor, director, and educator. She served as Associate Artistic Director and ensemble member of San Diego\u2019s notorious Sledgehammer Theatre and ensemble member of Chicago\u2019s Eclipse Theatre Company. She holds an MFA in Dance Theatre from the University of California, San Diego, an MA in Theatre from San Diego State University, a BFA in Acting from Ithaca College, and a certificate from the Pacific Conservatory of the Performing Arts (PCPA). Janet is currently an assistant professor of acting and director of the theatre program at Seattle University. <\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Barbara Callander<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vice Chair<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Barbara Callander, a long-time member of the Seattle area theatre community, helped\r\nto create TPS and was a Founding Board member. As an actor, she has appeared with\r\ntheatres nationwide, and for many years has also created and toured plays and other\r\nprograms about women\u2019s history throughout the Northwest and beyond. She is proud to\r\nhold a Theater degree from Oberlin College \u2013 the first co-educational college in the\r\ncountry. Barbara has also worked extensively as an arts administrator, including several\r\nyears with the National Endowment for the Arts. She has served as a Seattle Arts\r\nCommissioner and was Executive Director of the Northwest Playwrights Guild and a\r\nCo-Founder of Jane Doe Theatre. She became active as a community and union\r\nactivist soon after arriving in Seattle. For a number of years she has been elected to\r\nthe National Council of Actors\u2019 Equity Association.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Ali Kidder-Mostrom<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Board Member<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Read Bio <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/i><\/span>\n\t\t\t<\/i><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Ali Kidder-Mostrom (she\/her) is a forensic scientist by day and theatre person by night. She is a proud member of Latitude Theatre, one of the TPS Resident Companies. Sometimes Ali works behind the scenes and sometimes she trods the boards. Having grown up in theatre, her first professional acting gig was at the age of 7. Most recently, she was seen on stage as Igor in Latitude Theatre's production of Monstrous Regiment and off stage as the costumer for As If Theatre\u2019s Cry It Out and as Postmaster (think equal parts Stage Manager, Producer and Hat) for Latitude's first short play festival, Victorian Christmas Cards. When not making theatre, Ali can be found gardening, GMing tabletop RPGs and cleaning TPS Theatre4, as part of the Adopt-a-Studio program.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Teresa Thuman<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Shawn Belyea<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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He\/Him<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Shawn Belyea is an award-winning actor, director, producer, and teaching artist based\r\nin Seattle, Washington. He is currently the Producing Director for The 14\/48 Projects,\r\ncreators of 14\/48: The World\u2019s Quickest Theater Festival, winner of the 2008 Seattle\r\nMayor's Arts Award. Shawn is a professional actor and his work in Seattle includes\r\nRomeo and Juliet, Macbeth, Henry IV, and Twelfth Night with Seattle Shakespeare\r\nCompany, Stan in Sweat and Jacob Marley in A Christmas Carol (ACT Theatre), Rick in\r\nDry Powder and Alan in Opus (Seattle Rep), and Dad and Babe Ruth in Jackie and Me\r\n(Seattle Children\u2019s Theatre). He has also performed with Freehold's Engaged Theater in\r\nMeasure for Measure and numerous other productions across the city of Seattle. As a\r\ndirector, Shawn\u2019s work on August: Osage County earned four Gregory Awards,\r\nincluding Outstanding Director and Outstanding Production. In addition to his creative\r\nwork, Shawn is committed to fostering the arts in the Pacific Northwest and serves as\r\nan Arts Commissioner for the City of Tukwila where he lives with his amazing wife\r\nMegan Ahiers.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Jeremy Odden<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jeremy Odden (he\/him) is a Seattle-born stage technician, stage manager, labor activist, union advocate, and diplomat. He wears a lot of hats for a lot of different places, but theatre is where his passion is, and where he is fortunate enough to make his living. When he\u2019s not serving on the Board of Theatre Puget Sound, he also serves as the treasurer of Theatrical Stage Employees Local #15 (IATSE), as well as the treasurer of the Pacific Northwest JET Alumni Association (PNWJETAA). He enjoys the Arts in all their multitudes, and can often be found in auditoriums around the region enjoying what the creative folx in our area have to offer. He\u2019ll be easy to spot, always on an aisle somewhere \u2013 the curse of long legs!<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Bethany Nolan<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Board Member<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rebecca Tourino Collinsworth is a Seattle-based playwright and director, At twenty, she made her professional acting debut at the rebuilt Globe Theatre in London and spent fifteen years performing in regional theaters across the United States. As a teaching theater artist, she\u2019s worked with the Claire Trevor School of the Arts; the Alliance Theater in Atlanta; the New York Film Academy in Soho; Seattle University; Meadows School of the Arts at SMU; and Freehold\u2019s Ensemble Training Intensive, among others. For three consecutive years, she also made weekly trips to Gig Harbor to work with incarcerated people at the Washington Correctional Center for Women as part of the Engaged Theater Residency. Her plays have been produced in New York, Los Angeles, Seattle, and elsewhere. She is the co-book writer (with Evynne Hollens) of Mija (2024 Festival Cultural de Junio, Guatemala, 2023 NAMT Festival of New Musicals, Kleban Prize finalist); co-editor (with Asha Dore) of the literary magazine Parley Lit; and the creator \/ managing artistic director of Parley. In Parley Rebecca has established the most robust new work developmental program in the Pacific Northwest, offering unprecedented support to its playwriting associates. Through Parley, she has developed, directed, and produced more than 85 world premieres of important new plays by underrepresented writers in the last decade. MFA (Acting), U.C. Irvine; BA (English), U.C. Berkeley; Pacific Conservatory Theater.<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Montse Garza<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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She\/Her<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Montse Garza is a Latina lighting designer and actor (among other things) recently relocated to Seattle from Boston where she graduated from MIT. In school, she wore many hats including producer, choreographer, and director. She is most proud of her role in helping the MIT theater community recover from the pandemic after two years without in-person theater. In many ways, theater everywhere is still recovering - Montse is happy to be part of that effort!<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>
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Board Committees<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\tBoard Committees are standing assemblies of committed volunteers, created to support Theatre Puget Sound in evaluating and providing feedback on TPS governance, planning, and programs. These committees will give serve to support the TPS staff and ongoing operations of the organization. Interested in joining the board and\/or one of these committees? <\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tFill out an Application Today!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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TPS Committees<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Membership Committee:<\/strong><\/p>

  1. Dedicated to sending out membership surveys<\/span><\/li>
  2. Creating affinity groups for like-minded individuals<\/span><\/li>
  3. Recommending programming to staff for execution<\/span><\/li>
  4. Increasing membership for individuals and organizations<\/span><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Finance Committee:<\/strong><\/p>

    1. Reviewing budget to actuals and P&L reports as the year goes on<\/span><\/li>
    2. Coming up with campaigns to continue to grow fundraising<\/span><\/li>
    3. Expand upon grant opportunities in collaboration with staff<\/span><\/li>
    4. Expand upon corporate giving and connections with organizations<\/span><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      Communications Committee<\/strong><\/p>

      1. Assist in creating deliverables for marketing and social media<\/span><\/li>
      2. Providing member-oriented stories or copy for eBlasts or website<\/span><\/li>
      3. Expanding relationships with press and earned media offerings members to utilize<\/span><\/li>
      4. Ad hoc support for the brand<\/span><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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        \n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tJoin a committee Today!<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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        Events Committee:<\/strong><\/p>

        1. Provide operational support and keep list of volunteers to help with events on an as needed basis<\/span><\/li>
        2. Connect with and collaborate on events with outside sponsors<\/span><\/li>
        3. Execute the UGAs every March<\/span><\/li>
        4. Execute the Gregory Awards every October including nominations<\/span><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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          Tech Committee:<\/strong><\/p>

          1. Provide support for the website and all necessary digital operations<\/span><\/li>
          2. Ensure data security and privacy protocols are in place<\/span><\/li>
          3. Track and survey the equipment and technical well-being of the physical rehearsal and performances spaces\u00a0<\/span><\/li>
          4. Engage in discussing updates to spaces and equipment as needed <\/span><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

            Staff Crystal Yingling Executive Director She\/They View Profile Malia Tippets Web & Tech Director She\/Her View Profile Jasmine Lomax Production Manager She\/They Emily Huntingford Membership & Programs Coordinator She\/Her View […]<\/p>\n","protected":false},"author":1,"featured_media":405,"parent":82,"menu_order":18,"comment_status":"closed","ping_status":"closed","template":"","meta":{"give_campaign_id":0,"_tec_requires_first_save":true,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_mo_disable_npp":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_description":"","_tribe_blocks_recurrence_exclusions":"","_jf_save_progress":"","footnotes":""},"class_list":["post-84","page","type-page","status-publish","has-post-thumbnail","hentry"],"campaignId":"","_links":{"self":[{"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/pages\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":9,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/pages\/84\/revisions"}],"predecessor-version":[{"id":93620,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/pages\/84\/revisions\/93620"}],"up":[{"embeddable":true,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/pages\/82"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/media\/405"}],"wp:attachment":[{"href":"https:\/\/theatrepugetsound.org\/wp-json\/wp\/v2\/media?parent=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}